Comic Arts Brooklyn (CAB) is Brooklyn’s premier independent comics show, and we’re excited to be back this year. CAB is held at the Pratt Activities Resource Center at 395 Dekalb Ave, Brooklyn, NY 11025. It’s completely free, and we’ll be there at table C7 all day (11am to 7pm).
We’ll have a limited stock of Mean Girls matchbooks and Pride posters by Hamish Steele available with a purchase, so come early if you want to grab one! If you miss the show, our books are available for purchase at nobrow.net, online at Penguin Random House, or better yet, at your local bookstore!
Skyward: The Story of Female Pilots in WWIIis Sally Deng’s debut book, which published earlier this year. What started as a scroll through Pinterest developed into this beautifully-illustrated passion project about three young women who wanted to reach great heights—Hazel is an Asian American living in San Francisco, Marlene is a young woman living in the English countryside, and Lilya is from a small town in Russia. Here Sally tells us all about the fascinating stories she learned while working on this book and answers questions about her creative process, how she conducted her research, and her chocolate-filled studio space.
Sally: “I was looking through Pinterest in college and found a vintage photo of Hazel Ying Lee—the first Asian American female pilot in the United States. I didn’t think it could be real—how could a woman, especially a Chinese American woman, be allowed near a plane during that time? I spiraled into an internet research hole and came out with a whole series of paintings and drawings inspired by these pilots.”
Nobrow: What kind of research did you do while creating Skyward? Did you get to meet any WWII vets?
Sally: “I checked out quite a few books from my university’s library, and had to dig into out of print books about female pilots from other countries. One of my professor’s mothers was a WASP pilot, and he had hours and hours of recordings of her talking about her experience. One of her stories made the book: she was in her plane, and the oil started to leak. She needed a quick fix, so she took off her shirt to clean the oil off the plane.”
(Note: this is referenced in Skyward on page 54, when Hazel has to make an emergency landing and wipe down the windshield with her blouse.)
Nobrow: Are the stories of the three girls based on anyone in particular? If so, who?
Sally: “Yes. The Asian American pilot is based on Hazel Ying Lee, and Lilya, the girl from Russia, loves to draw, which is also what I love to do. Each one is sort of representative of me in some way.”
Nobrow: What’s a favorite story that didn’t make the book?
Sally: “There was a young girl in America who wanted to be a WASP pilot. She had scheduled her physical, but knew she didn’t meet the minimum weight requirement, so hours before her physical, her mother took her to a nearby diner and she ate until she couldn’t eat anymore. She barely passed the physical, but she did eventually become a pilot.”
Nobrow: Which character in Skyward was the most difficult to create?
Sally: “The character that was the most difficult to draw was Marlene. The English women pilots that I saw photos of always looked so beautiful, like models, with their amazing hair and makeup. That’s totally not me, but I just tried really hard to make Marlene look cool.”
Nobrow: In your research, what little-known facts about the female pilots of WWII did you find?
Sally: “I learned a lot of things. First, doctors in WWII didn’t know much about the female body—all the requirements for passing the physicals were in accordance with male bodies. Also, a lot of flying was learned on the go. The pilots didn’t have time or proper training to learn how to fly each air craft. The UK pilots (the ATA) had manuals they would tuck in their boots, basically ‘Flying This-Type-of-Plane 101.’
In America, many of the women who were pilots came from wealthy families who could fund their pilot lessons, but for those who weren’t, they had to go back to civilian life with little hope of having the money to continue flying on their own. In a lot of their interviews, the women pilots didn’t want it to end. They wanted to keep flying.”
Nobrow: What’s your ideal drawing space and what kind of snacks/beverages does it include?
Sally: “I just moved to a bigger shared studio space, but it doesn’t have windows like my last space. So windows and plants make the space ideal, and I always have chocolate around—it’s probably a vice.”
Nobrow: When did you start drawing? What’s pushed you to keep going?
Sally: “Ever since I could remember. My parents told me I started holding a pencil at 3. My parents really supported me from a young age with drawing. When I was a bit older, I couldn’t sit still, and I kept bothering them, so they sent me to art lessons. When I was trying to choose between colleges, my dad saw that I was hesitating between a studio art school and a regular liberal arts college. He encouraged me to go to the art school. I’m really lucky in that way.”
We’re so happy to announce that you can now stream the all-new Hilda series on Netflix! Yesterday, creator of the original Hilda graphic novel series Luke Pearson announced the original music by Grimes featured in the title sequence of the Netflix series.
This morning, the Nobrow team in New York screened the first two episodes for 125 kids from Brooklyn schools at the Brooklyn Public Library. The response was a lot of laughter, and questions about “what happens next?”
Sam Arthur, CEO and Co-founder of Nobrow, was excited to say: “Seeing Hilda develop from first sketches to first comic, to first graphic novel series, to TV show airing worldwide on Netflix has been a huge privilege. I’m so proud of what Luke Pearson, Nobrow/Flying Eye, and Silvergate Media have achieved. The last 10 years have been an incredible ride, and I have a feeling it’s just the beginning.”
Check out hildabooks.com for information on getting your own copies of the graphic novels or the first TV tie-in book, Hilda and the Hidden People. And don’t forget to get settled in to watch the entire first season!
Summer’s almost over and kids are headed back to school, and with that, there are new friends to make, and new stories to hear. In Me and My Fear(out now in the UK, US & Canada), a young immigrant girl starts school in her new country and has to face the challenges of making friends, learning a language, and overcoming her companion Fear, who perches on her shoulder every day—trying to keep her safe.
Me and My Fear is based on research that creator Francesca Sanna did in classrooms—asking children to draw their fears and encouraging them to talk about what made them afraid. To accompany this book, we’ve created a classroom guide, complete with activities and levelling information for teachers, students, and librarians to use for this upcoming year. You can download whichever version applies to you at the links below.
We hope that Francesca’s experience working with immigrant children will provide depth to your classrooms and conversations this year!
“I am a very anxious person, and at times when working on this book, my fear would grow too big and grip me too tightly. I would not have succeeded without the precious help of many people. Firstly, I would like to thank each and every child I met in schools and libraries, who was willing to share their fears about being the new one, the different one, the one from another country. They helped keep my own fear from growing too large.”—Francesca Sanna
Praise for The Journey
Many of you know Francesca from her brilliant debut picture book, The Journey. With six starred reviews, and acknowledgement on Best of lists from The New York Times, The Wall Street Journal, School Library Journal, Kirkus Reviews, Publishers Weekly, and the New York Public Library, The Journey moved readers with the illustrated story of a family forced from their homes, gently introducing children to what it means to be a refugee. Now, Francesca brings us into the story of one young girl, overcoming her struggles to feel at home in her new country.
“This heart-stopping, visually sophisticated story of a happy family suddenly forced to flee their home because of war evokes the dark danger of fairy tales to present the stark realities and enduring hope of modern refugees.”
—The New York Times, Notable Children’s Books of 2016
“Direct in language and lush in colorful illustration, this poignant picture book for readers ages 6-10 nurtures compassion for real-life refugees.”
—The Wall Street Journal, The Best Children’s Books of 2016
“The Journey offers a beautiful message to readers — young and old alike — about the difficulties of finding a new home, and the value of welcoming strangers once they arrive.” —The Washington Post
“A necessary, artful, and searing story.” —Kirkus Reviews, STARRED REVIEW
“The innocent voice and dramatic graphic-style illustrations tell a harrowing, haunting, yet hopeful story of a family’s search for a place to call home.” —School Library Journal, Best Picture Books of 2016
“Given the ongoing refugee crisis in Europe and immigration debates in the U.S. and abroad, Sanna’s story is well poised to spark necessary conversations about the costs of war.” —Publisher’s Weekly, STARRED REVIEW
Jérémie Royer’s Schedule, Saturday, September 15th:
Event: Panel – Illuminating Legends
Time: 2:30 PM – 3:30 PM
Location: White Flint Auditorium
Time: 3:30 PM – 4:30 PM
Location: Nobrow Table W76-78
In addition to meeting Jérémie, you’ll also have a chance to pick up one of the first copies of Hilda and the Hidden People at SPX. Just published on September 4th, this book is our very first prose novel based on episodes from the Netflix animated series debuting on September 21st.
SPX will be at the Bethesda North Marriott Hotel & Conference Center (5701 Marinelli Road, North Bethesda, MD 20852), and you can purchase tickets here.
We can’t wait to see you there!
September 15th & 16th
Bethesda North Marriott Hotel & Conference Center
NOBROW TABLE W76-78
We’re so excited that Hamish Steele will be a special guest at FlameCon in New York on August 18th and 19th! Hamish Steele, creator of Pantheon and the just-published Deadendia, will be a special guest alongside Molly Ostertag, Noelle Stevenson, MariNaomi, Mariko Tamaki, and many more talented creators. Flame Con is the world’s largest queer comic con, featuring a two-day comics, arts and entertainment expo, showcasing creators and special guests from all corners of the LGBTQ fandom. Hamish will be participating in several panels, meeting fans at his book table (S145), and selling copies of his bright and brilliant books!
Don’t forget to follow @nobrowpress on Instagram for Hamish’s takeover on our stories for Saturday!
Sheraton, New York (West 53rd Street, 811 7th Ave, New York, NY 10019)
Saturday (show open 12-8pm):
Hamish will be signing at his table (S145) during the day!
5pm: The Big Gay Sensational Animational Hour Panel, Room A (with Nicole Gitau, Shadi Petosky and Noelle Stevenson)
The Russ Manning Award has been given out annually at the San Diego Comic-Con since 1982, and is presented to a comics artist who, early in their career, shows a superior knowledge and ability in the art of creating comics. Russ Manning is best known for his work on the Tarzan and Star Wars newspaper strips and the Magnus, Robot Fighter comic book. Hamish had a co-winner this year—the talented Pablo Tunica (TMNT Universe) and his fellow nominees were Sean Rubin (Bolivar), Nina Vakueva (Hi-Fi Fight Club/Heavy Vinyl), and Campbell Whyte (Home Time). With all of this talent, we’re so proud of Hamish for this win, and we can’t wait for the quirky, genuine characters of Deadendia to come to your bookshelf.
Nobrow and Flying Eye Books will be attending the American Booksellers Association’s ABC Children’s Institute from June 19-21st and the American Library Association’s Annual Conference from June 22-25th in New Orleans! Here is a rundown of all that we have going on.
Children’s Institute Events
On the opening night of Children’s Institute (June 19th), we’re throwing an exclusive HILDA Netflix Screening Party at the Sheraton New Orleans Hotel in room Grand B. We’ll kick things off at 9pm with popcorn and Hilda swag. No need to RSVP but if you’re a bookseller, sign up here to receive a Hilda Display Kit for your store! Don’t forget to pick up a copy the TV Tie-in Hilda chapter book: Hilda and the Hidden People.
Friday, June 22nd at 10:30am: Hamish Steele will be on the Library Con Panel “Reaching Diverse Voices,” with Mariko Tamaki, Danielle Paige, Ridley Pearson, and Kami Garcia, in the Morial Convention Center Room 348-349. To attend this event you must be registered for ALA and sign up here.
Saturday, June 23rd: We’ll be in our booth # 2158 all day (9am-5pm) with giveaways!
3:45pm: Hamish will be back at our booth in the exhibit hall for a signing (it’s booth #2158—don’t forget!).
Monday, June 25th at 10:30am: Don’t miss our exclusive screening of the HILDA Netflix Original Series in New Orleans Theater, Section C, in the Morial Convention Center. This screening will offer librarians a chance to see the first two episodes of Hilda months before it airs on Netflix! The series follows the journey of a fearless blue-haired girl as she travels from her magical home in the wilderness, filled with elves and giants, to the bustling city of Trolberg. Don’t forget that this is also your sneak peak at Hilda and the Hidden People, the first Hilda illustrated chapter book and companion to the Netflix original animation.
Be sure to follow us on Twitter to stay abreast of all the updates! We can’t wait to see you!
As a child, my personality was quiet and reserved, but my feelings were noisy. I was a stomper and a door-slammer — tucked in the middle of the sibling order. In retrospect, I see those characters from the animated movie, Inside Out sitting at the dashboard, haphazardly pushing buttons and battling for control. They acted independently of me, and they longed for expression — longed to be seen and heard (ahem — stomp, stomp). They often appeared in writing: in notes and stories, in journal entries and, as a small girl, in posters strewn across the house for my parents to find, depicting my honest, and probably unhelpful, feelings regarding the discipline of practicing piano (“I HATE PIANO”).
Sharp edges soften. That angry sadness, along with its note-scrawling, door-slamming and foot-stomping, finds a fullness of expression and, often, a quietness. That once-slammed door is sheepishly opened. This is the arc that my first picture book, Out, Out, Away From Here(illustrated by Sang Miao), follows. The story moves readers from the fullness of that noisy feeling — of MAD-SAD-GLAD — to a peace and quiet that we can all find within the space of our own imaginations. No matter how small, we all need to learn emotional intelligence, and that requires practice, care, and patience.
Though I don’t have formal child psychology training, I have spent a lot of time with children, teaching them and learning from them, in daycares and preschools, as a private tutor, as a homeschool teacher. Children have a lot to teach us. They navigate the world with lighthearted wonder, with honest and direct thought and feeling, and with an attention to the present moment. As we teach and care and parent them, we have much to learn from them — to learn together.
How do we encourage emotional intelligence in young children? How do we empower kids to cope with and carry feelings in healthy ways?
1.Remember, Feelings Begin Physically
Tantrums, stomping, frowning, fist-clenching. Identifying feelings is a challenge for all of us — grown-up or not. Young children may only know how to verbally express happy, sad, and mad. While still learning ways to channel and show these feelings, they will express themselves physically. We can help children to identify the clues their bodies/behaviors give them about those unnamed feelings.
2.Encourage, empower, and guide children to name their own feelings
Ask open-ended, exploratory questions. Try to veer away from questions with yes/no answers. Example: How are you feeling? What happened to make you feel this way? What can we do to calm you down or cheer you up?
3.Affirm that feelings are legitimate
Feeling sad, tired, grumpy, nervous, excited — these feelings are real and often important. Let children know that this is normal and okay, that adults feel these too. Share your experiences and strategies with children. When you’re feeling a certain way, how do you cope? We may not choose our feelings, but we can choose how to express them. My parents’ repeated advice was this: “you may be feeling this way, but you don’t need to act this way” (this was usually tired and grumpy, they were referring to).
Children need access to the outdoors to experience the quiet, beauty, and wonder of nature. Feelings need room to spread out.
In the midst of noisy feelings, children and caretakers can benefit from a pause. “Taking five” was a tool I used in the classroom to allow students (often frustrated and unproductive) five minutes to use in their own, quiet way — often with a pile of books. They, and I, often returned to the task more calm and ready.
6.Read illustrated books aloud
This medium offers children language higher than their level of expression — but not their level of understanding. Books give kids a greater ability to hold and communicate feelings.
7.Give feelings feet!
Encourage children to let their feelings move. If they’re happy feelings — or any sort of feeling, really — dance! As an adult, too, I have to remind myself to sometimes leave my brain and heart behind. Take a walk, write in a journal, create art, play. Move!
8.Help children to recognize that feelings are temporary
A wise friend of mine says you feel feelings — but you aren’t your feelings. Imagine them like visitors. How can we take care of them while they’re here? What can we learn from them? They’ll show themselves out, when they’re ready. They’ll come and go again.
9.Teach that caring for ourselves helps us to care for others
Learning to recognize and care for our own emotions is a necessary precursor to practicing compassion. Encouraging children to know and recognize their own feelings will help them to observe the same in others — and to practice compassion.
10.Remind children that feelings are complicated and that it’s okay
Feelings are often more muddled-up than happy, sad, or mad, but that makes it so important to talk through them.
The world of feelings is wonderful and complicated. It’s a world we all carry within us, child and adult alike. Guiding children to carry their emotions in appropriate ways will lead to healthier children and, someday, healthier adults — capable of caring for themselves and for others. Join me in a journey we all take, over and over again, out, out, away fromhere — through that mountainous terrain of feeling.
Rachel Woodworth grew up in Canada and graduated from a liberal arts university in the United States. With an ongoing wonder with words and the world, writing has accompanied her for the whole of her travels. Out, Out, Away From Here (published by Flying Eye Books) is Rachel’s first book and is available now. She is currently living in Tanzania.
We’re so excited to be debuting Ryan Heshka’s Mean Girls: Pink Dawn in North America at TCAF, and we’re giving away these matchbooks as long as they last at Table 145. Check out the details below for Ryan’s appearances at TCAF.
Ryan Heshka appearances
SAT, MAY 12TH
1pm – Signing at Nobrow table 145
SUN, MAY 13TH
12pm – 2pm – “Learn To Paint The Ryan Heshka Way!” Demo. 3rd Floor Library Discussion Room The amazing artist behind Mean Girls Club: Pink Dawn hosts a live demo where he’ll walk you through his method and process for creating his pin-up inspired retro art.
2:30pm – Signing at Nobrow Table 145
Another TCAF surprise is the Nobrow 10: Studio Dreams Hardcover—available for sale in North America ONLY AT TCAF (you can find the more widely available softcover here). Hurry over to Table 145 to buy your own copy of this incredible collection of artists imagining their ideal studios. These are going to go fast, and they will not be available online, so make sure you get your hands on this TCAF exclusive!
Texas Librarians, come see us at TLA at Booth #2624!
We’ll be at the Texas Library Association’s Annual Conference in Dallas from April 3rd to the 6th. Say hello to US Sales and Marketing Associate Director Hannah Moushabeck and get an extra special, limited edition Professor Astro Cat poster, in anticipation of Professor Astro Cat’s Human Body Odyssey, which is available beginning May 1!
Swing by the booth to get a first look at our fresh-off-the-press Spring advances.
The New York Times bestselling graphic novel, Robert Moses: The Master Builder of New York City is now available in paperback as of January 2018. With the constant barrage of seemingly sordid political news, name smearing, and broadening discussions around gentrification and the mistreatment of marginalized people, we took a minute to sit down with Olivier Balez and Pierre Christin, the creators of Robert Moses to find out why they decided that this controversial character had such an important story to tell.
1. What inspired you to create this book about Robert Moses?
“Since my first visit to New York city in the sixties, I have walked extensively in Manhattan, Brooklyn, Queens, and Long Island. Slowly, I discovered that there were traces of Robert Moses practically everywhere. Later, I started doing a bit of research on this character, who is more or less unknown to a French person like me. Thanks to my daughter, then working on her Ph.D. at Princeton University, I read books and articles about him. I had already been researching urbanism for some of my novels, and comics, and Robert Moses appeared as such a formidable, visual, figure that I knew I had to do something about his life and I had to work with a graphic artist.”—Pierre Christin
2. In doing the research for Robert Moses: The Master Builder of New York City, what surprised you most about the life of Robert Moses?
“After a trip to New York, Pierre sent me a huge box full of books and pictures about Moses’s work and some books about Jane Jacobs too. This was very helpful because it was difficult to find good resources online. The swimming pools that Moses was responsible for were my favorite part to draw, and Jones beach for all of its lovely details, such as the signs and the bricks.”—OlivierBalez
3. What research did you do in illustrating this book? Is there a particular Robert Moses project that you are most drawn to?
“I was surprised to discover that Moses was undoubtedly a man of power and money, but also an advocate of public service and a much wiser user of state investment than a regular capitalist. In this way, he was not far from another great figure of urbanism, the French Baron Haussmann, who totally remodelled Paris in the second half of the 19th century, a man Robert Moses admired. Both of them were rich and popular for many years, both of them ended up being rejected and with relatively little money in their later years. Romantic destinies, in a way.”—OlivierBalez
4. The illustrations in Robert Moses: The Master Builder of New York City beautifully capture life in New York. If you could describe the city in just a few words, what would they be?
“Several cities within one city.”—OlivierBalez
5. Robert Moses as a character has been portrayed recently in the off Broadway musical Bulldozer, and in the Golden Globe Award winning The Marvelous Mrs. Maisel, which focuses on Jane Jacobs’ early protest movement against Robert Moses’ efforts to build a highway through Washington Square Park. Why do you think there is renewed interest in this powerful, intelligent character?
“It is only when I realized who Jane Jacobs was and what she did, that I felt I was ready to write the story I wanted. Because, instead of having only ONE hero—Robert Moses—and taking (even unconsciously) the risk of idealizing one man, I could portray TWO heroes. Moreover, these two characters were incredibly antagonistic to each other: man/woman, right/left, social elite/popular, modern/postmodern. A great theatrical couple both dramatic, and in some respects, funny.”—Pierre Christin
6. In addition to all of his city planning accomplishments, Robert Moses is also responsible for displacing a quarter of a million people, as you show in Robert Moses: The Master Builder of New York City. How do you think that could have been avoided?
“This was certainly not his greatest moment, and now we see that as the biggest failure and the worst aspect of post war urbanism. Unfortunately, the same disaster has occurred in most big cities and suburbs of the world. Even Communist countries, where there is little capitalistic pressure, do no better. However, there is no excuse for Moses’ actions.”—Pierre Christin
7. How do you think Robert Moses could serve as a cautionary tale to powerful men in the US and abroad today?
“Educated and logical people learn from the past. Illiterate and non-rational people despise the past and mostly ignore, or worse, manipulate history.
I do not think many present leaders are ready to analyse the successes and failures of Moses, or the intuitions and illusions of Jane Jacobs. But globally, it seems that the worst constructions and urban planners are behind us, with such giant errors of the second half of the past century.”—Pierre Christin
Robert Moses was a powerful, convincing man, and revisiting the story of his brilliance and flaws helps remind us of the kind of people that built up places that we find pride in as Americans, like New York City. It also reminds us of the great human cost that so often comes along with what we call progress. Check out the fact sheet below of details about Robert Moses that you may not know, and don’t forget to order your copy of Robert Moses: The Master Builder of New York City (now in paperback) at all good bookshops and the links below!
Congratulations to the creator of Wild and The Little Gardener, Emily Hughes, for winning the Theodor Seuss Geisel Award from the American Library Association. Announced Monday, February 12, Hughes along with writer Laurel Snyder won the award for Charlie & Mouse.
Emily’s lush, playful titles have received rave attention since the beginning.
The Little Gardener was an NPR Best Book of 2015, and the New York Times praised, “Hughes’s illustrations thrum with life. The drawings are a tangle of Gauguin and Rousseau and botanical journals.”
As for Wild, the story of a little girl who simply won’t be tamed, Maria Popova of Brain Pickings said it was “an irreverent, charming, and oh-so-delightfully illustrated story, partway between Kipling’s The Jungle Book and Sendak’s Where the Wild Things Are . . . Wild is one of the loveliest and most endearing picture-books I’ve seen.”
These stunning titles are available for purchase anywhere books are sold or on the Nobrow website. We wish Emily Hughes all the best in this prestigious win.